aka THE COUNSELLOR
(Spain/Italy - 1973; US release 1975)
Directed by Alberto De Martino. Written by Adriano Bolzoni, Vincenzo Flamini (Vincenzo Mannino), Leonardo Martin and Alberto De Martino. Cast: Martin Balsam, Tomas Milian, Francisco Rabal, John Anderson, Dagmar Lassander, Carlo Tamberlani, Manuel Zarzo, Eduardo Fajardo, George Rigaud, Franco Angrisano, Giovanni Carbone, Fortunato Arena, Carla Mancini, Lorenzo Piani, Sacheen Littlefeather, Nello Pazzafini. (R, 102 mins)
While most films in the polziotteschi subgenre of politically-charged Italian crime movies of the 1970s took place in Rome, Naples, and Sicily, COUNSELOR AT CRIME is a bit of an outlier in that it's set almost entirely in America. Journeyman director and co-writer Alberto De Martino (whose later credits included the EXORCIST ripoff THE ANTICHRIST, the OMEN ripoff HOLOCAUST 2000, and the MST3K favorite THE PUMAMAN) fashions COUNSELOR as a pretty blatant, albeit contemporary GODFATHER knockoff. Shot largely in San Francisco and Albuquerque in January and February of 1973, COUNSELOR AT CRIME (or, as it was known in Italy, IL CONSIGLIORI) hits everything on the GODFATHER checklist: Sonny-at-the-causeway-like ambushes; a treacherous, Sollozzo-like troublemaker trying to make a name for himself by eliminating a powerful Don; an unexpected sojourn to Sicily when things get too hot at home in the States; and someone is even handed the severed head of a fish, a clever way to knock two things off the checklist by combining "sleeps with the fishes" with the horse's head in the movie mogul's bed. IL CONSIGLIORI was released in Europe in the summer of 1973 but didn't make its way to the US until 1975, when low-grade exploitation outfit Joseph Green Pictures picked it up and retitled it COUNSELOR AT CRIME. It's a largely by-the-numbers gangster picture that goes out of its way to look as American as possible, spotlighting the San Francisco locations where De Martino valiantly attempts to keep the Golden Gate Bridge visible as often as possible (there's even a sequence taking place at the same exit ramp where a pimp is killed in the same year's Dirty Harry movie MAGNUM FORCE), with Riz Ortolani's score having a definite "'70s cop show" sound to it when the composer isn't straight-up borrowing a key theme from his VALACHI PAPERS score from the previous year.
Frankie Pentangeli in 1974's THE GODFATHER PART II.