THE HUNTER'S PRAYER
(US/Spain - 2017)
THE FACTORY) and Oren Moverman (THE MESSENGER) took cracks at adapting Kevin Wignall's 2004 novel For the Dogs. Sam Worthington (also one of 24 credited producers) is Lucas, a junkie hit man in the employ of shady UK financial titan Addison (DOWNTON ABBEY's Allen Leech). Another assassin, Metzger (RED ROAD's Martin Compston) has been sent to New York to whack the family of Martin Hatto (Eben Young), an associate who embezzled funds from Addison's company and is about to expose his illegal dealings to the FBI and Interpol. Lucas' assignment is to kill Hatto's teenage daughter Ella (THE GIVER's Odeya Rush), who's enrolled in posh boarding school in Switzerland. Haunted by PTSD from his military days in Fallujah, and now a hopeless drug addict with a young daughter he's never met, Lucas has a change of heart and decides to become Ella's protector as Addison sends Metzger and corrupt FBI flunky Banks (TRANSPARENT's Amy Landecker) to pursue the pair through Europe.
(Germany/US/Switzerland/Belgium - 2017)
THE EXCEPTION looks lavish enough but is hokey and insultingly simplistic throughout, with Brandt's cliched character (he's not the rule, he's "the exception," get it?) never registering thanks to the utterly blank Courtney (A GOOD DAY TO DIE HARD, TERMINATOR: GENISYS, SUICIDE SQUAD), who's never going to be a star no matter how many times the movie industry tries to make him happen. He's completely miscast and entirely too present-day, Magic Mike buff to be a Nazi captain in 1940 (I'd suggest picturing Channing Tatum in this role, but Tatum is smart enough to know his limitations). Courtney sucks the energy out of scene after scene with his monotone delivery and blank stare, barely able to hold his own in scenes with James and Janet McTeer as the Kaiser's wife. Tony Award-winning stage director David Leveaux, making his big-screen directing debut, does Courtney a further disservice by giving Brandt a bunch of scenes with the Kaiser. And rest assured, nothing spotlights a mediocre leading man's shortcomings like having him spend significant chunks of screen time opposite Christopher Plummer, an 87-year-old living legend who's got more star power in his bowel movements than Courtney's been capable of mustering over his entire career. Some hyped actors that Hollywood insists on making a thing end up maturing into first-rate actors--Matthew McConaughey and Colin Farrell come to mind--so there's a chance Courtney might get better as he gets older. I don't mean to be a dick and dog Courtney so hard. He's probably a nice guy. But he's just...not good. And neither is THE EXCEPTION. (R, 107 mins)